Bach Centennial Mouthpieces @ Osmun

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The year 2018 represents a milestone in the history of Vincent Bach manufacturing. Having started his business in 1918, master craftsman Vincent Bach created a legacy that has continued over the last 100 years. Bach Brass is celebrating the Centennial with two limited edition mouthpieces.

The Trumpet mouthpiece is a 3C Cup with a 27 Throat, 10 Backbore, and Gold-Plated 100th Anniversary Engraving.

http://osmun.com/bach-centennial-trumpet-mpc/

The Trombone mouthpiece is a Gold-Plated Large Shank 5G with the 100th Anniversary Engraving.

http://osmun.com/bach-centennial-trombone-mpc/

Made in the USA. The Centennial Mouthpieces are made to order by Bach and are in limited production. Get yours before it’s too late!

Old Euph Gets New Voice

When Dan Ryan brought his Conn double-bell euphonium in for repair, it needed more than the usual TLC. Somewhere in the far distant past, before Dan had acquired it about thirty years ago, this euph had lost its second bell.

Dan ryan and Osmun Repair Tech Jim Becker examine Mr. Ryan's 1923 Conn Double Bell Euphonium

Dan Ryan and Osmun Repair Tech Jim Becker examine Mr. Ryan’s 1923 Conn Double Bell Euphonium

Double bell euphoniums enjoyed a vogue during the early years of the last century (this one was made in 1923). In addition to the regular large bell a smaller, trombone sized bell, controlled by a piston valve, made it possible for a skilled soloist to make it sound like he was playing duets with himself.

Jim Becker did a major restoration of this instrument to return it to good cosmetic and playing condition and was able to locate, in our vast collection of spare parts, a Conn alto horn bell of the appropriate size and about the same age, as evidenced by the engraving,  as the missing one. The original bell faced forward and this one is bell up so the sound was not as directional, but we felt that this was acceptable. It would have been possible to construct a 70 degree elbow to match the original direction but it would have been, we felt, a very expensive solution to a minor problem.

Jim cleaned up the bell, tested it and trimmed it to length, and made a new tenon ring to attach it to the body of the instrument. Play testing confirmed it’s pitch and sound quality and now it’s ready for the next hundred years.