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	<title>Comments for Osmun Music Blog</title>
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	<description>News, information, and opinions for and from our customers and friends</description>
	<lastBuildDate>Mon, 12 Jul 2010 04:52:55 +0000</lastBuildDate>
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		<title>Comment on Horn Mouthpiece Questions by taio cruz</title>
		<link>http://blog.osmun.com/2008/09/17/horn-mouthpiece-questions/#comment-474</link>
		<dc:creator><![CDATA[taio cruz]]></dc:creator>
		<pubDate>Mon, 12 Jul 2010 04:52:55 +0000</pubDate>
		<guid isPermaLink="false">http://osmunmusic.wordpress.com/?p=97#comment-474</guid>
		<description><![CDATA[enjoyed this article!]]></description>
		<content:encoded><![CDATA[<p>enjoyed this article!</p>
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		<title>Comment on Higher Dollar Means Lower Schmid Prices by Drills</title>
		<link>http://blog.osmun.com/2008/08/11/higher-dollar-means-lower-schmid-prices/#comment-319</link>
		<dc:creator><![CDATA[Drills]]></dc:creator>
		<pubDate>Sun, 30 May 2010 16:34:28 +0000</pubDate>
		<guid isPermaLink="false">http://osmunmusic.wordpress.com/?p=38#comment-319</guid>
		<description><![CDATA[Thanks for the info. I was feeling lost as well with all these wild numbers.]]></description>
		<content:encoded><![CDATA[<p>Thanks for the info. I was feeling lost as well with all these wild numbers.</p>
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		<title>Comment on Horn Mouthpiece Questions by Rob</title>
		<link>http://blog.osmun.com/2008/09/17/horn-mouthpiece-questions/#comment-229</link>
		<dc:creator><![CDATA[Rob]]></dc:creator>
		<pubDate>Wed, 21 Apr 2010 16:39:05 +0000</pubDate>
		<guid isPermaLink="false">http://osmunmusic.wordpress.com/?p=97#comment-229</guid>
		<description><![CDATA[This is a great answer. Well thought out. The silver plating has never given me an allergy, but i know a couple of professional trumpet players who really had problems. They literally had to have all of their equipment gold-plated ; not just the mouthpieces, but the horns too: 

My 3C Mouthpiece has never done well a Martin Committee. I&#039;m looking to see what might provide the darkest sound for this horn:
http://trumpetsearch.com/rare-trumpets/martin-committee-trumpet]]></description>
		<content:encoded><![CDATA[<p>This is a great answer. Well thought out. The silver plating has never given me an allergy, but i know a couple of professional trumpet players who really had problems. They literally had to have all of their equipment gold-plated ; not just the mouthpieces, but the horns too: </p>
<p>My 3C Mouthpiece has never done well a Martin Committee. I&#8217;m looking to see what might provide the darkest sound for this horn:<br />
<a href="http://trumpetsearch.com/rare-trumpets/martin-committee-trumpet" rel="nofollow">http://trumpetsearch.com/rare-trumpets/martin-committee-trumpet</a></p>
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		<title>Comment on Sonare 900S and 900L Trumpets by john morrison sports betting champ</title>
		<link>http://blog.osmun.com/2008/08/14/sonare-900s-and-900l-trumpets/#comment-223</link>
		<dc:creator><![CDATA[john morrison sports betting champ]]></dc:creator>
		<pubDate>Thu, 08 Apr 2010 21:29:15 +0000</pubDate>
		<guid isPermaLink="false">http://osmunmusic.wordpress.com/?p=51#comment-223</guid>
		<description><![CDATA[Just what I needed to bring a little sunshine after a intense day.  Great article that really gets the point covered.  Thanks for sharing.]]></description>
		<content:encoded><![CDATA[<p>Just what I needed to bring a little sunshine after a intense day.  Great article that really gets the point covered.  Thanks for sharing.</p>
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		<title>Comment on What About Your Mouthpiece? by Alwine</title>
		<link>http://blog.osmun.com/2009/06/18/what-about-your-mouthpiece/#comment-204</link>
		<dc:creator><![CDATA[Alwine]]></dc:creator>
		<pubDate>Fri, 12 Mar 2010 01:13:58 +0000</pubDate>
		<guid isPermaLink="false">http://blog.osmun.com/?p=256#comment-204</guid>
		<description><![CDATA[Hi Medina,
Your mouthpiece has a relatively shallow cup and a small throat. I think you might get better results from something like our &lt;a href=&quot;http://store.osmun.com/prodomg/ohcch.jpg&quot; rep=&quot;nofollow&amp;quo5;&gt;Chicago cup with a 12 throat&lt;/a&gt;. Your high range might suffer a little in the beginning but I think you would quickly find it opening up.

Best,

Bob Osmun;]]></description>
		<content:encoded><![CDATA[<p>Hi Medina,<br />
Your mouthpiece has a relatively shallow cup and a small throat. I think you might get better results from something like our &lt;a href=&quot;<a href="http://store.osmun.com/prodomg/ohcch.jpg&#038;quot" rel="nofollow">http://store.osmun.com/prodomg/ohcch.jpg&#038;quot</a>; rep=&quot;nofollow&amp;quo5;&gt;Chicago cup with a 12 throat&lt;/a&gt;. Your high range might suffer a little in the beginning but I think you would quickly find it opening up.</p>
<p>Best,</p>
<p>Bob Osmun;</p>
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		<title>Comment on Alternate Horn Mouthpiece Shapes by Louis Denaro</title>
		<link>http://blog.osmun.com/2009/12/28/alternate-horn-mouthpiece-shapes/#comment-189</link>
		<dc:creator><![CDATA[Louis Denaro]]></dc:creator>
		<pubDate>Tue, 26 Jan 2010 12:58:36 +0000</pubDate>
		<guid isPermaLink="false">http://blog.osmun.com/?p=308#comment-189</guid>
		<description><![CDATA[Being that the lighter &quot;standard&quot; mouthpiece which served as a basis for the mouthpieces described above / same inner contours / is equally  not as effective on both horns, I&#039;m not sure it&#039;s all about less weight.  My intuition tells me that the concept at work is similar to &quot;wing loading&quot;, where the surface area of the wing vs. the weight and drag of the airframe dictate the performance of the aircraft.  The ratio has to be just right to give you the results that you need.  Or perhaps the two mouthpieces may be generate different pitch fundamentals in and of themselves that resonate differently in each horn.  My 2 lira.]]></description>
		<content:encoded><![CDATA[<p>Being that the lighter &#8220;standard&#8221; mouthpiece which served as a basis for the mouthpieces described above / same inner contours / is equally  not as effective on both horns, I&#8217;m not sure it&#8217;s all about less weight.  My intuition tells me that the concept at work is similar to &#8220;wing loading&#8221;, where the surface area of the wing vs. the weight and drag of the airframe dictate the performance of the aircraft.  The ratio has to be just right to give you the results that you need.  Or perhaps the two mouthpieces may be generate different pitch fundamentals in and of themselves that resonate differently in each horn.  My 2 lira.</p>
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		<title>Comment on Alternate Horn Mouthpiece Shapes by Bob Osmun</title>
		<link>http://blog.osmun.com/2009/12/28/alternate-horn-mouthpiece-shapes/#comment-187</link>
		<dc:creator><![CDATA[Bob Osmun]]></dc:creator>
		<pubDate>Mon, 25 Jan 2010 14:28:56 +0000</pubDate>
		<guid isPermaLink="false">http://blog.osmun.com/?p=308#comment-187</guid>
		<description><![CDATA[So what is it? More surface? Less weight? Until someone does some scientific studies (attention all you physics majors out there)we won&#039;t really know. Until then I&#039;ll continue to make them on order.]]></description>
		<content:encoded><![CDATA[<p>So what is it? More surface? Less weight? Until someone does some scientific studies (attention all you physics majors out there)we won&#8217;t really know. Until then I&#8217;ll continue to make them on order.</p>
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		<title>Comment on Alternate Horn Mouthpiece Shapes by Louis Denaro</title>
		<link>http://blog.osmun.com/2009/12/28/alternate-horn-mouthpiece-shapes/#comment-186</link>
		<dc:creator><![CDATA[Louis Denaro]]></dc:creator>
		<pubDate>Mon, 25 Jan 2010 13:30:25 +0000</pubDate>
		<guid isPermaLink="false">http://blog.osmun.com/?p=308#comment-186</guid>
		<description><![CDATA[Bob,
Just a word on why adding ribs to a mouthpiece might make a great deal of difference.  I have two CF Schmidt horns of roughly the same vintage, one is very free blowing, the other (you know the horn) isn&#039;t.  I also have 2 versions of the same model mouthpiece, whereby the inner contours are the same, but one is just the &quot;heavy&quot; blank and the other has the ribs that you cut for me.  On the free blowing horn, the heavy blank works really well and  the ribbed form isn&#039;t very good at all.  On the unfocussed horn, it&#039;s completely the opposite situation: the heavy blank almost seems like just so much dead weight and the horn doesn&#039;t project, but the ribbed form actually makes this horn very playable (and it&#039;s the only mouthpiece in my collection that does anything for that horn).  And the fact that sacrificing some mass for a couple of ribs to get extraordinary results is pretty fascinating, wouldn&#039;t you agree?]]></description>
		<content:encoded><![CDATA[<p>Bob,<br />
Just a word on why adding ribs to a mouthpiece might make a great deal of difference.  I have two CF Schmidt horns of roughly the same vintage, one is very free blowing, the other (you know the horn) isn&#8217;t.  I also have 2 versions of the same model mouthpiece, whereby the inner contours are the same, but one is just the &#8220;heavy&#8221; blank and the other has the ribs that you cut for me.  On the free blowing horn, the heavy blank works really well and  the ribbed form isn&#8217;t very good at all.  On the unfocussed horn, it&#8217;s completely the opposite situation: the heavy blank almost seems like just so much dead weight and the horn doesn&#8217;t project, but the ribbed form actually makes this horn very playable (and it&#8217;s the only mouthpiece in my collection that does anything for that horn).  And the fact that sacrificing some mass for a couple of ribs to get extraordinary results is pretty fascinating, wouldn&#8217;t you agree?</p>
]]></content:encoded>
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		<title>Comment on What a Pain! by Roger Kaza</title>
		<link>http://blog.osmun.com/2009/12/04/what-a-pain-2/#comment-184</link>
		<dc:creator><![CDATA[Roger Kaza]]></dc:creator>
		<pubDate>Thu, 14 Jan 2010 03:17:46 +0000</pubDate>
		<guid isPermaLink="false">http://blog.osmun.com/?p=273#comment-184</guid>
		<description><![CDATA[Mine broke last summer the night before a performance of the Britten Serenade.   Couldn&#039;t fix it, had to play the gig on a colleague&#039;s horn!  What fun.  I always carry a spare now.]]></description>
		<content:encoded><![CDATA[<p>Mine broke last summer the night before a performance of the Britten Serenade.   Couldn&#8217;t fix it, had to play the gig on a colleague&#8217;s horn!  What fun.  I always carry a spare now.</p>
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		<title>Comment on Osmun Mouthpipe for Kanstul by Rob</title>
		<link>http://blog.osmun.com/2008/09/24/osmun-mouthpipe-for-kanstul/#comment-183</link>
		<dc:creator><![CDATA[Rob]]></dc:creator>
		<pubDate>Mon, 11 Jan 2010 03:08:01 +0000</pubDate>
		<guid isPermaLink="false">http://osmunmusic.wordpress.com/?p=121#comment-183</guid>
		<description><![CDATA[I&#039;ve heard nothing but good things about Kanstul Trumpets. Are the Piccolo trumpets as highly though of as Bb models? Also, had heard there is some sort of relationship between Kanstul and Besson, though have never really gotten the details on that. 

kind regards,

Rob]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve heard nothing but good things about Kanstul Trumpets. Are the Piccolo trumpets as highly though of as Bb models? Also, had heard there is some sort of relationship between Kanstul and Besson, though have never really gotten the details on that. </p>
<p>kind regards,</p>
<p>Rob</p>
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